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ANYONE can have their engineer sit there for 5 hours and tweek their drums and turn up a snare but Dilla's beats were coming straight from cd going staright into pro tools.off the cd! The engineer can't tweek anything coming from a CD so when you heard Dilla's was just that.Dilla's drums.no engineer doing tricks.and cats who don't make beats may not find that important or amazing.but is! It's funny cause the knock I had on Dilla for years was he only does that "peace people" music.yeah he can do a track for the Roots, Common, Mos Def, Erykah, etc. Album DescriptionJ Dilla.man oh man.J Dilla.the 1st time I heard was this track off of Beats, Rhymes and Life called "Wordplay".I was in my man Montez's jeep (when I hear a hip hop song or any song for that matter that's CRAZY.I can remember the time, place, where I was, what I was doing when I heard it) and I was AMAZED that beat.the drums? The drums? Dilla's drums are undeniable.
See More Your browser does not support the audio element. Bottom line: the album is one of the stronger pop-R&B releases of the last few years.
Enjoyment of the album will be heightened if you are down with Leslie's brainiac schemer persona, but it is not a requirement. On five of the album's 12 songs, he plays and sings everything, while the others tend to involve no more than one additional musician (a not-exactly-heterogeneous crew including Hall & Oates and Saturday Night Live band alum T-Bone Wolk and fashion model slash rumored Leslie love interest Chanel Iman). It could be that he was too busy with everything else and determined, after running some figures through a formula (he graduated from Harvard at the age of 19), that his creative energies could be optimized by spending more time on hooks and high-hat sounds. And that is a blessing in disguise since the lyrics are sometimes flat-out clumsy. As a singer, Leslie is passable, slightly nasally, just skilled enough to pull off a falsetto without sounding silly it's certainly the melodies and production flourishes, not the voice, that stick in the memory.
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It's a slick update of In Search Of…'s springy pop-R&B (a la the album's original mix), one with a clever breakdown where the song slips abruptly into a swirl of synthesizers and Leslie's falsetto refrain.
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What follows is not a series of radio killers but plenty of depth warranting repeat plays, led by "Quicksand," featuring Neptunes/N.E.R.D accessory Brent Paschke on guitar and bass. Instrumentally all synth trills, fillips, and bullfrog croaks, with charmingly clownish boasts on top, "Diamond Girl" also leads off the album, and it is followed by "Addiction," a crafty post-Neptunes production rooted in a barely present kick-drum pattern and synthetic hand percussion patter, ribboned in wavering (and practically queasy) synth flossing.
#Ryan leslie les is more album download zip cracked
Those first two singles, "Diamond Girl" and "Addiction" (neither of which cracked the Top 30 of the R&B/Hip-Hop chart), are the best of the set, easily the standouts. And the album did, indeed, nearly shoot its wad before it became a physical object.
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Ryan Leslie came out in February 2009 with strikingly low-profile presentation: a simple black-and-white cover shot and a no-frills booklet with track credits and nothing else, not necessarily what was expected from a flashy and shrewd self-promoter who hired a staff of videographers to document his moves for a well-stocked archive of YouTube clips. When it came out, Cassie's mainstream blitz, engineered in many ways by the always visible Leslie, was two and a half years in the past, and a pair of lead-up singles had already fallen off the charts, released up to just over a year prior to the final product. The release date and presentation made Ryan Leslie's self-titled album seem somewhat anticlimactic. Purchase and download this album in a wide variety of formats depending on your needs.
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